Wednesday, December 2, 2009

The Breeders - Pod



Artist: The Breeders
Album: Pod
Genre: Alternative/Noise Rock
Year: 1990
Record Label: Elektra

As most would expect, the first CD by Kim Deal's band The Breeders bears significant resemblance to her previous band the Pixies, but with some key differences. Unlike the Pixies, the Breeders are more subtle, relying on a much more subdued approach that creates an almost tangible tension between melody and noise throughout the entire album. Steve Albini's production only furthers the stiff tension in the Breeder's songs allowing the listener to hear every note in its rough, unaltered, natural state and appreciate the full depth of each individual sound. Showcasing some impressive songwriting talents, Kim Deal proves she was much more than just a bassist and occasional vocalist for the Pixies, drawing upon some interesting personal influences to craft her new band's sound. -Amazon

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The Gossip - Music For Men



Artist: The Gossip
Album: Music For Men
Genre: Disco-Punk/Dance Rock
Year: 2009
Record Label: Colombia

What's that joke about gay couples wanting to get married? They deserve the chance to be as unhappy as straight people. On the Gossip's major-label debut -- 12 Rick Rubin–produced tracks spanning minimalist disco, post-punk, and garage -- the trio extends the gay-positive message of 2006's "Standing in the Way of Control," the single that broke them in Europe seven years after the band started. Yet frontwoman Beth Ditto remains caught somewhere between Donna Summer and Dolly Parton: she loves to love, but all those complications keep her down. -Spin

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Wednesday, May 6, 2009

Tilly and the Wall - Wild Like Children



Artist: Tilly and the Wall
Album: Wild Like Children
Genre: Indie/Pop/Folk
Year: 2004
Record Label: Team Love

Tracklisting:
1. Fell Down The Stairs
2. Let It Rain
3. Night of the Living Dead
4. Reckless
5. You and I Misbehaving
6. Bessa
7. Shake It Out
8. Perfect Fit
9. I Always Knew
10. Ice Storm, Big Bust, And You

Tilly and the Wall’s debut album, Wild Like Children consists of 10 perfectly formed songs bursting with enthusiastic hyperactivity, while emanating a bittersweet melancholy of long lost summers and misguided first loves. In front of a backdrop of sunshine, rain and snow, Tilly and the Wall sings songs about loving & kissing, dancing & drinking, staying & leaving, driving & talking, sleeping & dreaming… and they’re probably the only band to write a hauntingly wearied love song built around Madonna’s “Into The Groove.” If Phil Spector had ever decided to make a record with ‘60s folk heroes Mimi and Richard Farina, it might’ve sounded a little bit like Tilly and the Wall.

With an album inspired by love, friendship, music and dancing, it’s obvious that Tilly and the Wall like to dance. In particular, Tilly and the Wall like to tap dance. In fact, they forego a drummer. Instead Tilly and the Wall’s star percussionist Jamie provides beats with her own nimble-toed tap-dances. Sometimes she bangs some old leather suitcases with drumsticks while Neely and Kianna play tambourine and bells. You can listen to Tilly songs and tap along in your own bedroom in your own house in your own town. They hope that you do. - Teamlove.com

Brimming with co-ed harmonies, jangly acoustic guitars and lambent keyboards, Tilly & The Wall forgo a drummer and allow Jaime Williams' tap-dancing to provide the rhythmic chassis. While this may sound like a despicable throwaway gimmick upon first impression, it actually makes a great deal of intuitive sense, and seems so completely natural that one becomes kind of astonished that the tap-dancer-as-percussionist isn't more common. Williams hoofs out striated, staccato clusters that would be impossible to replicate on drums, and lends the clattering pop songs a crisp and martial demeanor that buoys them up above the traditional indie-pop maneuvers they otherwise employ. - Pitchfork

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Friday, April 10, 2009

Joanna Newsom - The Milk-Eyed Mender



Artist: Joanna Newsom
Album: The Milk-Eyed Mender
Genre: Folk
Year: 2004
Country of origin: United States

Tracklisting:
  1. Bridges and Balloons
  2. Sprout and the Bean
  3. The Book of Right-On
  4. Sadie
  5. Inflammatory Writ
  6. This Side of the Blue
  7. En Gallop
  8. Cassiopeia
  9. Peach, Plum, Pear
  10. Swansea
  11. Three Little Babes
  12. Clam, Crab, Cockle, Cowrie


Newsom's wonderfully detailed romanticism ("Your skin is something that I stir into my tea"), homespun wisdom ("Never get so attached to a poem, you forget truth that lacks lyricism"), idiosyncratic flourishes ("See him fashion a cap from a page of Camus"), and insights into the prosaic ("There are some mornings/ When the sky looks like a road") infuse each track with the weightiness of an embroidered travel narrative and a private field-recording.

Showing an appreciation for Appalachian folk and the experimental composer/folksong scholar Ruth Crawford Seeger, her spare arrangements-- harp, Wurlitzer electronic piano, harpsichord, piano, and slide-guitar on two tracks-- unwind like early Homestead oddity, The Supreme Dicks.

Creating avant-garde American music for the back porch, she expands upon tradition without losing authenticity. In this sense, her practice could be linked to Devendra Banhart, a friend and kindred spirit. Both map a pile of eccentricities that tumble together to create something useful, familiar, and nearly sacred.
-Pitchfork

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Thursday, March 19, 2009

Wingnut Dishwashers Union - Live in Plattsburgh, NY


Artist: Wingnut Dishwashers Union
Album: Live in Plattsburgh, NY
Genre: Folk-Punk/Anarcho-Folk
Country of origin: United States

Tracklisting:
1. Picking Sides
2. Reason To Breathe
3. Free and Alone
4. Jesus Does The Dishes
5. For A Girl In Rhinelander
6. Pop Jam
7. Stop Being So Cool
8. Ain't Nobody's Business

Since the death of Johnny Hobo & The Freight Trains, lead singer Pat The Bunny has been working on this project.
If you've never really gotten into Folk-Punk, this is a good album to start with.
I decided to post a live WDU album because the things Pat The Bunny talks about between songs are tiny morsels of amazingness.

Get it here.

He is Legend - Suck Out the Poison


Artist: He is Legend
Album: Suck Out the Poison
Genre: Southern rock/Hardcore/Metal
Release Date: October 3, 2006
Label: Solid State Records

Tracklisting:
  1. Dixie Wolf (The Seduction Of...)
  2. Attack of the Dungeon Witch
  3. Suck Out the Poison
  4. Mushroom River
  5. Opening
  6. China White II
  7. Serpent Sickness
  8. Electronic Throat
  9. Stampede
  10. The Window of Magnolia
  11. The Pot Bellied Goddess
  12. Cannonball Hands (The Tomato Parade)
  13. Goldies Torn Locks
  14. (((louds
When He Is Legend signed to Solid State Records in the spring, the band had already stirred a blaring buzz all their own. But they were just getting started. 2004 put He Is Legend on the map and on the move. In June, the five North Carolina natives released their debut EP, 91025 with Tribunal Records, a label most noted for helping launch the careers of bands like Atreyu and From Autumn to Ashes. The release received rave reviews, stirring the anticipation even further for He Is Legend’s debut full-length album, I Am Hollywood, released November 2nd, 2004. Their sophomore album, Suck Out The Poison, was released on October 3rd, 2006, featuring more raspy vocals.

*The bands roots reach back into the late 1990’s when Adam Tanbouz, Steven Bache, Matt Williams, guitarist McKenzie Bell, and vocalist Schuyler Croom began writing and performing around Wilmington, NC. In 2003, having previously played under the names of Stronghold, No One Wins, and The Uriah Omen, the name He Is Legend was adopted by members Tanbouz, Bache, Bell, Croom, and Williams. After releasing their first EP in June of 2004 entitled 91025, the band signed on with Solid State Records and released their first full length album in November. I Am Hollywood was a massive success and the band immediately began to experience a surge in popularity that extended far beyond their NC roots. After almost two years of extensive touring in the United States and Europe, the band temporarily relocated to California to record their next release. Suck Out the Poison was released on October 3, 2006 and triggered mixed reviews from long-time fans. It was evident, however, that the band believed firmly in the album and as a result were largely indifferent to often cruel criticisms from offended fans. Their confident, care-free response is portrayed in their music video “Attack of the Dungeon Witch” which was released in March of 2007. Soon after the release of Suck Out the Poison, guitarist McKenzie Bell left the band without explanation and was eventually placed by guitarist Mitch Marlow (previously of Classic Case). Bell later joined the band Bloodjinn.

Debates abouts whether or not He Is Legend is a Christian group have been fueled by the fact that Solid State Records is a Christian record label. While Croom and other members of the band have claimed to be followers of Christ, the band has made it clear that they are not collectively a Christian band in the FAQ section on their website saying that, “We are in no way a Christian band… We all enjoy music, we all enjoy playing our instruments, so if we had to be classified as anything it would be a ‘band’ band or ‘music’ band.” - [Source
http://en.wikipedia.org/wiki/He_Is_Legend]

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Wednesday, March 18, 2009

New Young Pony Club - Fantastic Playroom


Artist: New Young Pony Club
Album: Fantastic Playroom
Genre: Post-Punk/New Wave/Dance/Electro
Release Date: July 9, 2007
Label: Modular Interscope

Tracklisting:
  1. Get Lucky
  2. Hiding on the Staircase
  3. Ice Cream
  4. The Bomb
  5. Jerk Me
  6. The Get Go
  7. Talking, Talking
  8. Grey
  9. Fan
  10. Tight fit
New Young Pony Club: new rave or new disco? Answer: who cares when their music sounds this good? The London quintet might be a new phenomenon to some, but others will know them well, as they’ve been working hard behind the scenes for a good three years or so, building up a solid fan base to accommodate the release of this debut album. And what a debut it is. Fantastic Playroom ticks all the right "influence" boxes--Bowie, Blondie, New Order-–to make it suitably zeitgeist-capturing, yet their tunes are infused with an extra savvy and edginess, putting them slightly ahead of the new whatever game. Singles like "Ice Cream" and "The Bomb" illustrate the band’s way with a sexy rhythm; songs like the percussive "Hiding on the Staircase" keep the party going, while the band’s 80s style synth-pop indulgences come unashamedly to the fore on "The Get Go" and "The Jerk." A large part of the band’s appeal is vocalist Tahita Bulmer, whose slightly detached vocal delivery sits well on the band’s songs. True, Fantastic Playroom can feel more like a collection of singles than a coherent album at times, but that’s just what this band do best. We should love them for it. --Paul Sullivan


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Tuesday, March 17, 2009

Reverend Horton Heat - Liquor in the Front



Artist: Reverend Horton Heat
Album: Liquor in the Front
Genre: Psychobilly
Country of origin: United States
Year: 1994

Tracklisting:
1. Big Sky
2. Baddest of the Bad
3. One Time For Me
4. Five-O-Ford
5. In your Wildest Dreams
6. Yeah, Right
7. Cruisin' for a Bruisin'
8. I Could Get Used To It
9. Liquor, Beer, & Wine
10. I Can't Surf
11. Jezebel
12. Rockin' Dog
13. The Entertainer

Reverend Horton Heat was never your typical rockabilly act, and on Liquor in the Front he made an album that still honored the traditions of the style while kicking up more dust than he ever had before, and for sheer crank, nothing in his catalog can touch it. - Mark Deming, All Music Guide

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Cursive - Mama, I'm Swollen



Artist: Cursive
Album: Mama, I'm Swollen
Genre: Indie/Rock/Punk
Country of origin: United States
Year: 2009

Tracklisting:
1. In The Now
2. From The Hips
3. I Couldn't Love You
4. Donkeys
5. Caveman
6. We're Going To Hell
7. Mama, I'm Satan
8. Let Me Up
9. Mama, I'm Swollen
10. What Have I Done?


Wracked with doubt, contradiction and existential despair, Mama, I’m Swollen strikes out as a weighty, superbly realized endeavor which, for all its oppressive nature, is as eminently listenable and brave an album as any the band have produced. - drownedinsound.com

I had to listen to this record 6 times before I could decide how I felt about it.
Final thought: FUCKING BRILLIANT.
The lyrics aren't as awe-inspiring/descriptive as previous endeavors, but Tim Kasher's delivery of them makes up for that when he veers between anguished whispers and yowls.
While the use of brass, strings, & flute are somewhat sparse, drummer Cornbread Compton's beats really make this record fantastic.

Get it here.

Friday, March 13, 2009

Maria Taylor - Lynn Teeter Flower



Artist: Maria Taylor
Album: Lynn Teeter Flower
Genre: Folk/Indie
Country of origin: United States
Year: 2007

Tracklisting:
1. A Good Start
2. Clean Getaway
3. Smile and Wave
4. No Stars
5. Replay
6. Small Part of Me
7. Irish Goodbye
8. My Own Fault
9. Ballad of Sean Foley
10. Lost Time
11. Lynn Teeter Flower


Based on the sheer volume of her musical output over the past several years, chances are you have heard her voice somewhere before. Distinctly hypnotic, Maria Taylor’s vocals have not only been an asset to the groups that count her as a member (Azure Ray and Now It’s Overhead) but have also aided projects by Moby, Bright Eyes, The Faint and Crooked Fingers.

There is never a moment on Lynn Teeter Flower when the proceedings seem in danger of spinning out of control; no matter what the emotion being expressed, Taylor’s expression is sensible and laid-back. The track features inviting keys, steady and buoyant drums as well as rock guitars that have a definite presence without being dominating. The blend of these instruments is delicate, creating a backdrop to sufficiently support Taylor’s vocals without ever overpowering or overshadowing them. - popmatters.com

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Thursday, March 12, 2009

We Are Scientists - Brain Thrust Mastery


Artist: We Are Scientists
Album: Brain Thrust Mastery
Genre: Indie/Rock/Alternative
Release Date: January 10, 2006
Label: Virgin Records Us

Tracklisting:
  1. Ghouls
  2. Let's See It
  3. After Hours
  4. Lethal Enforcer
  5. Impatience
  6. Tonight
  7. Spoken For
  8. Altered Beast
  9. Chick Lit
  10. Dinosaurs
  11. That's What Counts
Brooklyn's We Are Scientists make it to their second album, Brain Thrust Mastery, a man down--drummer Michael Tapper departed the band in late 2007-–but with a new sound and a refreshed ambition. While 2005's With Love and Squalor marked them out as The Strokes' preppier cousins, lean guitar-indie with arch lyrics and driving tempos, Brain Thrust Mastery has more than rehash on its mind. It's an album that's both bigger and poppier than its predecessor--see gleaming first single "After Hours"--but also eager to experiment and branch out. The opening "Ghouls" echoes fellow Brooklynites TV on the Radio, a synthetic mesh of ticking rhythms, dubby bass and multi-tracked vocals, frontman Keith Murray singing: "We all recognise/That I'm the problem here", while "Lethal Enforcer" is a sly piece of '80s pop revivalism that somehow channels the smooth synths and echoing drums of Phil Collins without quite tipping over into kitsch. There's the occasional dropped ball here--"Spoken For", a serene, Tropicalia-tinted love ballad is interrupted around the mid-point by some unnecessary, pompous flying-V action--but on the whole, this is smart pop music that's clever but crucially, seldom clever-clever. --Louis Pattison

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We Are Scientists - With Love and Squalor


Artist: We Are Scientists
Album: With Love and Squalor
Genre: Indie/Rock/Alternative
Release Date: January 10, 2006
Label: Virgin Records Us

Tracklisting:
  1. Nobody Move, Nobody Get Hurt
  2. This Scene is Dead
  3. Inaction
  4. Can't Lose
  5. Callbacks
  6. Cash Cow
  7. It's a Hit
  8. The Great Escape
  9. Textbook
  10. Lousy Reputation
  11. Worth the Wait
  12. What's the Word
Obvious touchstones include Franz Ferdinand (on fun setting) and the wit, jerk, and pop inclination of XTC circa Drums and Wires and Black Sea. Exploding into action with the adrenalin swoop of "Nobody Move, Nobody Get Hurt" and "This Scene Is Dead" and taking in such other fine moments as the reggaefied "Can't Lose" and the Terrorvision-meets-Buzzcocks "Callbacks," the album nods to the mope-rock of the Cure on the philosophical experience-is-the-best-teacher procrastination of "Textbook." With Love and Squalor places We Are Scientists in line for this year's Nobel Prize for punk-pop novelty. --Kevin Maidment

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Wednesday, February 11, 2009

Lunachicks - Pretty Ugly


Artist: Lunachicks
Album: Pretty Ugly
Genre: Punk/Grunge
Release Date: February 26, 1997
Record Label: Go Kart

Tracklisting
  1. Yeah
  2. Throwin It Away
  3. The Day Squid's Gerbil Died
  4. Dear Dotti
  5. Mr. Lady
  6. Spork
  7. What's Left
  8. Gone Kissin
  9. Don't Want You
  10. The Baby
  11. @#%
  12. Wing Chun
  13. MMM Donuts
  14. Missed It

From start to finish this album doesnt disappoint. From songs about PMS (@#%) to ones debating on whether a spork is a spoon or a fork, it will leave you hungry for more.

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Tuesday, February 10, 2009

Refused - The Shape of Punk To Come


Artist: Refused
Album: The Shape of Punk to Come
Genre: Punk
Release date: October 27, 1998
Record Label: Burning Heart

Tracklisting
  1. Worms of the Senses/Faculties of the Skull
  2. Liberation Frequency
  3. The Deadly Rhythm
  4. Summerholidays vs. Punkroutine
  5. Bruitist Pome #5
  6. New Noise
  7. The Refused Party Program
  8. Protest Song '68
  9. Refused Are Fuckin Dead
  10. The Shape of Punk to Come
  11. Tannhäuser/Derivé
  12. The Apollo Programme Was a Hoax
It's a ballsy move to claim you're reinventing a musical genre that has been slogging along quite happily for more than two decades, but the Refused back up their chutzpah with an absolutely awe-inspiring and fearless slab of musical mayhem. The Shape of Punk to Come is nothing short of a punk-rock manifesto. Hardcore pathos is merely the foundation for their architecture: upon that they build an edifice of political expression with a take-no-prisoners approach to the search for artistic meaning and a musical liberation that includes elements of speedcore, free jazz, electronica, lo-fi, and absolutely no pop. Politics, art, and music merge into one monolithic whole. The disc starts with the spoken epigraph, "They told me that the classics never go out of style, but they do, they do," followed by a swirling mess of noise that finally jells into the last undiscovered thunderous riff of "Worms of the Senses/Faculties of the Skull." The song stutters, then speeds along, skips, pauses, then rolls. They follow that with the groovy Gang of Four metronomic punch of "Liberation Frequency." When vocalist Dennis sings, "We want the airwaves back" in a sweet falsetto that belies his ability to deliver a screech not unlike a bull alligator clearing its throat, you believe this band isn't going to gently rise up the Billboard charts; they'd rather storm the ramparts. Unfortunately, when the band writes a song called "The Refused Are Fuckin' Dead," they aren't kidding around: the band broke up before the release of Shape. Let's hope enough people hear this album to kick-start the revolution. --Tod Nelson

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Monday, February 9, 2009

Sigur Rós - Takk


Artist: Sigur Rós (Sea-or Rose)
Album: Takk
Genre: Ambient/Post Rock/Icelandic/PHENOMENAL
Country of Origin: Iceland
Release Date: September 13, 2005
Record Label: Geffen Records


Tracklisting
  1. Takk
  2. Glosoli
  3. Hoppipolla
  4. Med Blodnasir
  5. Se Lest
  6. Saeglopur
  7. Milano
  8. Gong
  9. Andvari
  10. Svo Hljott
  11. Heysatan
Takk does what Agaetis Byrjun did by burrowing into the consciousness and snuggling down to bed there, purring. Each listen brings out another mood, another thought. It's gorgeous. - musicOMH.com

People will be Takk-ing about this truly amazing album for years to come. - E! Online

Their expanded sound, with its explosions of noise and romantic swells, deserves reconsideration by fans and skeptics alike. - Splendid

Get it Here

Thursday, February 5, 2009

The Cramps - Smell of Female



Artist: The Cramps
Album: Smell of Female
Genre: Punk/Rockabilly/Surf Rock/Psychobilly
Country of origin: United States
Year: 1983

1. Thee Most Exalted Potentate of Love
2. You Got Good Taste
3. Call of the Wighat
4. Faster Pussycat
5. I Ain't Nuthin' But A Gorehound
6. Psychotic Reaction
7. Beautiful Gardens
8. She Said
9. Surfin' Dead


R.I.P. Lux Interior.

http://www.megaupload.com/?d=7AB1PPKZ

Monday, February 2, 2009

The Receiving End of Sirens - The Earth Sings Mi Fa Mi



Artist: The Receiving End of Sirens
Album: The Earth Sings Mi Fa Mi
Genre: Punk
Release Date: August 7, 2007
Label: Triple Crown Records
Country of Origin: United States


Tracklisting:
1. Swallow People Whole
2. Disappear (Oubliette)
3. The Crop and the Pest
4. The Salesman, The Husband, The Lover
5. Smoke and Mirrors
6. A Realization of the Ear
7. Saturnus
8. Wanderers
9. Stay Small
10. Music of the Spheres
11. The Heir of Empty Breath
12. Pale Blue Dot

It is no small order to tackle a concept album based on Johannes Kepler's theory of Earth's tonal orbit, centering around the themes of misery and famine. And surely, this is not a process that becomes any easier when your band loses one of it's prime creative forces in Casey Crescenzo, who has since gone on to do great things with his Dear Hunter project. So really, it is quite understandable that listeners are rather apprehensive as they first approach The Earth Sings Mi Fa Mi, the second studio album from The Receiving End of Sirens. With all factors considered, it sounded like the boys might have bitten off more than they could chew - especially when they were playing with a roster that Crescenzo disciples would (recklessly) consider "crippled." Nevertheless, the band hit the studio with Matt Squire to take a swing at the expectations laid out before them, and have met them in stride.

It is absolutely essential to highlight that if you come into The Earth Sings Mi Fa Mi expecting Between the Heart and the Synapse Part II, you are going to be sorely disappointed by the differences between the works. This is not to say that fans of the first will not like the second, at all. But rather, if "Planning a Prison Break" was a barometer for the BTHATS, "Swallow People Whole" is an equally appropriate water mark for TESMFM. The new record's commencement shows off what we should expect from this revamped TREOS - a more subdued approach that is calmer and more melodic, yet still tactfully affecting. All of the energy is channeled strategically, in a way that lends both the song and the album to a pair of massive crescendos that are really quite operatic and epic.

From there, The Earth is quite consistent, yet there are still variances between the songs that deserve to be analyzed. For those looking the bridge the gap from Between, then they shall look no further than "Smoke and Mirrors," "Saturnus," or "Stay Small." These tracks all offer up the blazing guitar riffs, passionate hooks, and overall driving pulse of the TREOS we have all come to know and love. Besides these, there is still quite a bit to be enjoyed, but on a different set of levels. Whether it be progressive guitar chunks ("Oubliette (Disappear)"), narrative lyrics ("The Salesman, The Husband, The Lover"), surprisingly skilled beats/sequencing and gorgeous harmonies ("A Realization of the Ear"), The Earth Sings Mi Fa Mi is a very full, a very rich, and a very complex record. And everything comes to a head on the album's final chapter, "Pale Blue Dot" which is quite simply a perfect closer. It is the type of slice that makes you swell up with pride and emotion, and makes you want to play the record over again just so you can get to that point once again. Stunning, for sure.

When I first came to hear how TREOS would sound in Round 2, I was incredibly nervous, and naturally so. The tracks released on their own were solid enough, but they were without the standalone punch that is inherently expected from a post-hardcore band such as this. But when you hear these songs within the context of the album and its corresponding story, it all sort of clicks. With a little background, you are able to understand the band's vision and see it realized. The Receiving End of Sirens have given us a very ambitious album indeed. And for someone that has been sorely disappointed with what Matt Squire has churned out lately, I was quite pleasantly surprised to hear what he has done here. The production is clean, but not overdone, and layered without being overly cluttered or fake. The mixing could be better, as the percussion and bass can get lost in the sea of guitars and vocals, but it could certainly be worse. All in all, the sound of the record does its reach justice, and in total, The Earth Sings Mi Fa Mi excels brilliantly to deliver on the promises made by the potential of its sculptors. For those with an open mind, this record comes highly recommended. - Absolutepunk

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mc chris - Eating's Not Cheating (Re-Issue)


Artisit: mc chris
Album: Eating's Not Cheating
Genre: Nerdcore/Rap
Country of Origin: Unites States
Year: 2005

Tracklisting:
  1. mcchrisownz
  2. badass
  3. illyoi!
  4. tractorbeam
  5. robotdog
  6. evergreen
  7. variety
  8. toothpickspliffs
  9. rats
  10. stoptime
  11. yachtbirds
  12. carebear
  13. boysdon'tcry
  14. mynameis

"Meatwad get the money, see?"

If these words mean anything to you, there's a respectable chance that the name MC Chris does, too. There are few casual fans of the Cartoon Network's Adult Swim mainstays, little middle ground between geeked-out obsessiveness and indifference, so the hardcore should recognize Chris's name as a regular contributor to shows like Sealab 2021 and Aqua Teen Hunger Force. He voiced the character Hesh on the former and the oft-reincarnated MC Pee Pants on the latter, and he's a regular behind-the-scenes presence on several shows. As if working the ultimate dork dream job weren't fulfilling enough, MC (real name Chris Ward) is able to nurture his fantasies of hip-hop stardom through self-released albums like this, his third. Along with friend and producer John Fewell, Chris makes "geekhop" that's funny and exciting due to its bald honesty and unpretentious near-virtuosity.

Setting out simply to make a "really good dorm room album", Chris and Fewell have in fact made a really good anywhere album -- one that crudely and hilariously cries (or screeches) out to the desperate, sex-starved youths of the internet generation. In Chris's world, long distance web relationships and chatroom shorthand ("OMG!", checking her "LJ") have usurped physical intimacy and English. It's telling that "boysdon'tcry", about overseas email romance ("I'm jonesing harder than Gollum / please God say that's London calling") plays so much more affecting and heartfelt than "yachtbirds", about actual physical interaction. There's even a whole song about a Robot Dog, some sort of electronic sidekick or "tech pet" that ends up having a vampirical effect on Chris's game-spitting and general well-being.

A late-in-the-review warning: the annoyance potential of Chris's voice is near-astronomical. If you're easily put off by vocalists who sound perpetually heavily congested, or like a rapping version of Ween from "Push th' Little Daisies", you won't make it past verse one, but his bratty, Mountain Dew-fueled delivery serves the material's coarse naivete. Chris rattles his lines off at a rapid clip, but like all good fast-rappers, he never sounds like he's crowbarring them in. Genius bits like "weak MCs decompose 'cause they know I can flow like Wessel comma Zam through coruscant corridors" blow past without giving you time to wince at the obscurity of their Star Wars references.

Eating's Not Cheating would be possible to write off as a prankish, disposable novelty good for only a few laughs between IM chats if it weren't for Fewell's sophisticated, intensely blendered production and Chris's compelling openness. On "ratz", over a bells and bass-led beat, Chris bemoans the life of a "dot com curmudgeon who's love life is sufferin' / it's the rope or the oven or the hope I find love in the end". You feel the moment poignantly, and that's saying something for a guy with a voice like a six year-old who, not four tracks ago, spent a whole dis track on a Robot Dog. -Justin Stewart, Splendid Magazine



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Wednesday, January 21, 2009

Margot & The Nuclear So And So's - The Dust of Retreat


Artist: Margot & the Nuclear So and So's
Album: The Dust of Retreat
Genre: Indie/Sex-Folk/Scarf-Rock
Country of origin: United States
Year: 2006

Tracklisting:
1. A Sea Chanty of Sorts
2. Skeleton Key
3. Vampires In Blue Dresses
4. Quiet As A Mouse
5. Jen Is Bringin' The Drugs
6. Dress Me Like A Clown
7. On A Freezing Chicago Street
8. Paper Kitten Nightmare
9. Barfight Revolution, Power Violence
10. A Light On A Hill
11. Talk In Code
12. Bookworm

Margot & the Nuclear So and So's are an eight-piece band from Indianapolis, IN.

"Margot is as much about quietude as it is about energy, and its songs are intricately woven together into something much more familiar and cozy, in spite of the multitude of sounds used. And while the contributions to the songs feel collaborative, they’re more controlled than spontaneous, and center around the creative vision of songwriter Richard Edwards. Though Emily Watkins’s Rhodes piano and synths or Jesse Lee’s cello might grab the spotlight as an immediate focal point, it’s the character of the songs that Edwards writes that gives Margot its winter chill, world-weary beauty, and sad-eyed romanticism.

It’s a comfortable retro cool; the sensation generated by a really great thrift store on a late-autumn afternoon. The band has teasingly described itself as sex-folk and scarf-rock, the latter highlighting the knit-wear coziness of its indie aesthetic."-popmatters.com

Get it here.

Anti-Flag - A New Kind of Army


Artist: Anti-Flag
Album: A New Kind of Army
Genre: Punk
Country of origin: United States
Year: 1999

Tracklisting:

1. Tearing Everyone Down
2. Captain Anarchy
3. A New Kind of Army
4. That's Youth
5. No Apology
6. Got The Numbers
7. No Difference
8. I Don't Believe
9. Right On
10. What You Don't Know
11 . Free Nation?
12. Outbreak
13. Police Story
14. The Consumer's Song
15. This Is Not A Crass Song

Probably my most favorite Anti-Flag album ever.

Get it here.

Tuesday, January 20, 2009

Invincible - Shapeshifters


Artist: Invincible
Album: Shapeshifters
Genre: Rap/Hip-Hop
Country of origin: United States
Year: 2008
Tracklisting:
1. State of Emergency
2. Looongawaited
3. Sledgehammer!
4. People Not Places (w/ Abeer)
5. Spacious Skies
6. No Easy Answers
7. Deuce/Ypsi (w/ Buff1, SUN, PL)
8. Recognize (w/ Finale)
9. Ransom Note (w/ ANOMOLIES)
10. Grace Shift interlude (featuring Grace Lee Boggs)
11. ShapeShifters
12. Ropes (w/ Tiombe Lockhart)
13. Keep Goin (w/ Wordsworth and Indeed)
14. In The Mourning

"Invincible is one of the most talented emcees I've ever heard black or white, male or female..."
-Talib Kweli

Invincible is undeniably a rapper’s rapper, crafting dense, rapid-fire bars featuring lots of internal and multisyllabic rhymes. For hip hop fans, this is heaven, but for casual listeners, her music might be a little more challenging. There isn’t a lot of negative space on Shapeshifters; every bar is full, damn-near overflowing; even the hooks sometimes come across like short verses. Again, for the hardcore heads, this isn’t a problem, but don’t expect your little sister to be singing along to “Recognize” or “Locusts.”
Those who are able to unpack Invincible’s rhymes, however, will definitely be rewarded. While most emcees who utilize this style are content to just rap about rapping or simply rhyme cool-sounding words together, Invincible isn’t afraid to tackle meaningful concepts. Whether talking about the skeletons in the closet of her hometown, colonialism and imperialism, gentrification’s impact on Detroit, or how the loss of Detroit hip hop legends J-Dilla and Proof connect to the larger struggle, she never settles for pre-packaged formulas. -culturebully.com

http://www.emergencemusic.net/

Get Shapeshifters here.

Saturday, January 17, 2009

So Many Dynamos - Flashlights


Artist: So Many Dynamos
Album: Flashlights
Genre: Pants Exploding Dance Rock/Chaotic Pop
Country of origin: United States
Year: 2006

Track Listing
1. Saturday Night, Sunday Morning
2. Search Party
3. Progress
4. Home Is Where The Box Wine Is
5. How High The Moon
6. In Every Direction
7. Inventing Gears
8. This Is Why We Can't Have Nice Things
9. We Vibrate, We Do
10. In Our Sleep
11. Let's Move Mountains

“There’s this band that I love from East St. Louis, Illinois called So Many Dynamos, and they’re this heavy, fantastic, prog rock dance band. They’ve got their heads as much in the The Mahavishnu Orchestra as they do the Talking Heads. They’re really doing that bizarre fall on the floor dance band fusion thing, but hitting really hard. They’re fucking awesome!” - Chris Walla, Death Cab For Cutie

"Flashlights" is SMD's sophomore record. The band's unique brand of chaotic pop has been sharpened, refined. The songs are catchier, noisier, dancier, smarter, often weaving in and out, Frogger-style, between anthematic choruses and epileptic freakouts. They've harnessed the urgency of their live performances and also thrown some unexpected instruments into the fold (4 piece horn section, 30 piece choir, toy accordion, banjo, thumb piano, etc.)

So Many Dynamos are by far one of the best bands I've seen live. Their music is infectious and you can't help but break out into spastic gyrations whilst listening. Their lyrics are clever and intelligent.

Download this.
IMMEDIATELY.

Friday, January 16, 2009

Johnny Hobo & The Freight Trains - Live at the Office



Artist: Johnny Hobo and the Freight Trains
Album: Live at the Office 03-03-2005
Genre: Folk-Punk/Anarcho-Punk
Country of origin: United States
Year: 2005


Track Listing:
01. The New Mexico Song
02. Put Arsenic in the Frosting Next Time
03. Harmony Parking Lot
04. Election Song
05. Acid Song
06. Church Hymn for the Condemned
07. Whiskey is my Kind of Lullaby
08. D.I.Y. Orgasms

Johnny Hobo and the Freight Trains hail from the tiny town of Brattleboro, Vermont. Their songs are filled with passion, energy and a good deal of contempt for government, religion, and themselves. They make many references to booze, cigarettes, and drugs. Underneath all of these vices, a good deal of socio-political analyzation is happening and makes for a very interesting album.


The band has broken up since this live performance was recorded.
Lead singer Pat The Bunny is currently in Wingnut Dishwasher's Union, another amazing band.
I'll post one of their albums very soon.


Download the Johnny Hobo album here.