Wednesday, May 6, 2009

Tilly and the Wall - Wild Like Children



Artist: Tilly and the Wall
Album: Wild Like Children
Genre: Indie/Pop/Folk
Year: 2004
Record Label: Team Love

Tracklisting:
1. Fell Down The Stairs
2. Let It Rain
3. Night of the Living Dead
4. Reckless
5. You and I Misbehaving
6. Bessa
7. Shake It Out
8. Perfect Fit
9. I Always Knew
10. Ice Storm, Big Bust, And You

Tilly and the Wall’s debut album, Wild Like Children consists of 10 perfectly formed songs bursting with enthusiastic hyperactivity, while emanating a bittersweet melancholy of long lost summers and misguided first loves. In front of a backdrop of sunshine, rain and snow, Tilly and the Wall sings songs about loving & kissing, dancing & drinking, staying & leaving, driving & talking, sleeping & dreaming… and they’re probably the only band to write a hauntingly wearied love song built around Madonna’s “Into The Groove.” If Phil Spector had ever decided to make a record with ‘60s folk heroes Mimi and Richard Farina, it might’ve sounded a little bit like Tilly and the Wall.

With an album inspired by love, friendship, music and dancing, it’s obvious that Tilly and the Wall like to dance. In particular, Tilly and the Wall like to tap dance. In fact, they forego a drummer. Instead Tilly and the Wall’s star percussionist Jamie provides beats with her own nimble-toed tap-dances. Sometimes she bangs some old leather suitcases with drumsticks while Neely and Kianna play tambourine and bells. You can listen to Tilly songs and tap along in your own bedroom in your own house in your own town. They hope that you do. - Teamlove.com

Brimming with co-ed harmonies, jangly acoustic guitars and lambent keyboards, Tilly & The Wall forgo a drummer and allow Jaime Williams' tap-dancing to provide the rhythmic chassis. While this may sound like a despicable throwaway gimmick upon first impression, it actually makes a great deal of intuitive sense, and seems so completely natural that one becomes kind of astonished that the tap-dancer-as-percussionist isn't more common. Williams hoofs out striated, staccato clusters that would be impossible to replicate on drums, and lends the clattering pop songs a crisp and martial demeanor that buoys them up above the traditional indie-pop maneuvers they otherwise employ. - Pitchfork

Get it here.